提姆波頓親自執筆繪本。

Meet Jack Skellington. Hes in charge of making Halloweenland the coolest creepy place around. But when Jack suddenly grows bored with tricks and treats, he goes searching for new ways to celebrateand he finds them in Christmas Town! Christmas, Jack decides, is just what Halloweenlandand the worldneeds!

提姆波頓設計，公仔與卡片組，最佳禮物選擇。

The notorious filmmaker delights readers with a bizarre menagerie of characters--including Oyster Boy, Brie Boy, Match Girl, and Stick Boy--who are searching for love and understanding in a world that does not comprehend oddities, in a humorous book detailed with vivid black-and-white illustrations.

依照分級字彙改寫的電影故事，彩色印刷書本，加上包含內文朗讀的CD-Rom。

Everybody in Halloweentown loves Halloween-but not Jack Skellington. Every year he has to sing the same scary songs and do the same dangerous dances. He is bored with them. Then, one day, he visits Christmastown and he has an idea. Why can’t the vampires, witches, and skeletons of Halloweentown celebrate Christmas, too-their way?

Recounts the making of the stop-motion film about Victor, a young man whisked away to the underworld to marry a Corpse Bride, while his real bride, Victoria, waits for him in the land of the living.

Jack Skellingtons got the blues. Hes sick and tired of his hometown holiday, Halloween, and is longing for something new. But when his soul searching leads to his good-intentioned kidnapping of Santa, things start getting pretty hairy!

電影配樂鋼琴樂譜。Meet Jack Skellington. Hes in charge of making Halloweenland the coolest creepy place around. But when Jack suddenly grows bored with tricks and treats, he goes searching for new ways to celebrateand he finds them in Christmas Town! Christmas, Jack decides, is just what Halloweenlandand the worldneeds!

Tim Burton is a contradiction - a film-maker who has a unique style and yet remains grounded in the Hollywood studio system. How can someone who has such a distinctive personal vision survive in an aggressive and increasingly bland marketplace?How can he command such large budgets to realise his ideas?

Alison McMahan redresses this imbalance through a close analysis of Burton's key films (Beetiejuice, Ed Wood, Batman, Edward Scissorhands, Sleepy Hollow) and their place within the filmmaking industry. She argues that Burton has been a crucial figure behind many of the transformations taking place in horror, fantasy, and science fiction films over the last two decades.

These interviews show his progression from a young director to a contemplative and dry-witted artist over the course of twenty years. In later interviews, he opens up about his experiences in therapy and how his childhood fantasies still affect his art. "Tim Burton: Interviews" reveals a man who has managed to thrive inside Hollywood while maintaining the distinctive quirks of an independent filmmaker.

Tim Burton: A Child's Garden of Nightmares is a definitive guide to a successful cinematic career based on a love of American pop-gothic imagery. Anthologising articles and interviews written throughout Burton's career, the book charts his path from malcontent animator at Walt Disney Productions to director of feature films whose fantasy aesthetic couched natural sympathy for the alienated outsider.

Taking the form of an extended interview, Burton on Burton allows the director space to discuss his films, and to digress where this seems illuminating; it also includes an impressive selection of film stills and Burton's drawings. Mark Salisbury does not so much question Burton, as guide the director through his own career, commenting where necessary but managing never to seem intrusive.