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Global Time-Space Reorderings: Literary, Cultural, and Cinematic Transformations

Global Time-Space Reorderings: Literary, Cultural, and Cinematic Transformations

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內容簡介

  Global Time-Space Reorderings: Literary, Cultural, and Cinematic Transformations transnationally explores the impact of globalization on the reconceptualization of time and space in modern and contemporary literature, culture, and cinema. Yi-Hsuan Tso’s examination includes the novel Magical Mountain by the Nobel Literature Laureate Gao Xingjian, the Taiwanese Canadian poet Lo Fu’s epic Driftwood, the work of Taiwanese woman poet Hsia Yü, the Taiwanese documentary Let It Be, and third wave feminism in Taiwan. The book maintains that there are at least three axes of global time-space reordering. The first axis is the possibility of escape and freedom in time-space. In Magical Mountain, the escape from civilization is facilitated by the utopian nature with which a person communicates spiritually. Likewise, in Lo Fu’s Driftwood, the self gains freedom through the transcendence of local, local-global, and global time-space. The second axis is a translocal consciousness exemplified by the double-center globally migrating identity in Lo Fu’s Driftwood, the local, regional, and global entanglements in Taiwanese third wave feminism, and the acentric poetics of Hsia Yü. The third axis is the debate in Let It Be over whether to sustain the local-global economic interconnection or to lessen this interconnectivity confronting the spaces smoothed out by capitalism’s laissez faire policy.
 

作者介紹

作者簡介

Yi-Hsuan Tso(左乙萱)


  Yi-Hsuan Tso is Assistant Professor at the National Taiwan Normal University. She has authored journal articles and book

  chapters on Taiwanese cinema, feminism, Cathy Song, Rita Dove, John Keats, American multicultural poetry, and globalization curriculum. Her work also includes encyclopedia entries on contemporary American poetry as well as translations for a psychology textbook, poems, and newspaper articles.
 

目錄

Acknowledgments

Chapter 1  Introduction

Chapter 2  Nature as Refuge in the Globalized World: The Form of Gao Xingjian’s Magical Mountain
  The Pneumatic Nature
  Nature as Refuge in a Globalized World

Chapter 3  Globalization or Diaspora? Lo Fu’s Global Poetry
  Globalization and Literature
  The Transcendence of Time and Space
  Migration vs. Diaspora, and the Global or the Regional?
  Global Aesthetic
  Conclusion: Space, Time, and Double-center Globally Migrating Self

Chapter 4  Globalization and the Taiwanese Character: Let It Be and the Documentary
  Introduction
  The Taiwanese Character and Cinema
  Six Attributes of the Taiwanese Character
  The Documentary Audience’s Emotions and the Self-Reflexive Style
  Conclusion: The Omnibus Film Theory

Chapter 5  Globalization, Third Wave Taiwanese Feminism, and Hsia Yü’s Poetry
  Introduction
  This Wave: Recognition and Diversity
  Girls Are Not Women
  The Globalized Family
  Violence of the Nation-State and Intimate Others
  Invisible Women and Girls
  Global Agendas Elsewhere
  Global Time-Space, the Self, and Third Wave Womanness in Hsia Yü’s Poetry
  Conclusion

Chapter 6  Conclusion

Notes

Works Cited
 

詳細資料

  • ISBN:9789863070733
  • 叢書系列:唐山論叢
  • 規格:平裝 / 312頁 / 15 x 21 x 1.56 cm / 普通級 / 單色印刷 / 初版
  • 出版地:台灣
 

內容連載

節錄自〈Nature as Refuge in the Globalized World: The Form of Gao Xingjian’s Magical Mountain〉

In our era of globalization, the first axis of time-space reordering within modern literature is the possibility of escapism and freedom in time-space. In Gao’s Magical Mountain, nature is the utopia to which the protagonist and Gao flee in search of freedom from the constraints of civilization and the institutions of the nation-state. The rapport between the main character and his environment is textually manifest through the fusion of mind and nature expressed in the novel’s language and form.

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