比爾伊文斯三重奏/村落先峰週日現場 45轉2入透明膠 200G

比爾伊文斯三重奏/村落先峰週日現場 45轉2入透明膠 200G

Bill Evans Trio - Sunday At The Village Vanguard 200g LP 45rpm

  • 發行公司:音樂之橋
  • 產品編號:AUHQR0017-45
  • 發行日期:2024/09/26
  • 張數:2 張 - 2LP
  • 定價:8250

分期價:(除不盡餘數於第一期收取) 分期說明

3期0利率每期27506期0利率每期1375
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  • 可取貨點:台灣、蘭嶼、綠島、澎湖、金門、馬祖
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商品簡介

1.母帶處理工程師 kevin Gray
2.榮獲企鵝爵士評鑑4星最高評價
3.Downbeat 4星完美評價
4.AMG 5星滿分評價
5.滾石爵士評鑑5星滿分評價
6.史上最佳爵士101專輯之一
7.村上春樹最熱愛推崇的爵士大師
 
The Bill Evans Trio's  Sunday At The Village Vanguard on Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
The definitive version of one of the most classic jazz recordings of all time and a regular on most best-of jazz lists!
200-gram 45 RPM 2LP release limited to 5,000 copies
Mastered by Kevin Gray at Cohearent Audio from the original analog tapes
Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal
Pressed on Clarity Vinyl at Quality Record Pressings
Purest possible pressing and most visually stunning presentation and packaging!

"On the UHQR there's a real band playing together making sense in a real space with a real kind of interaction
between them and it just sounds natural open and free. And the Mofi, you know, don't get me wrong it sounds wonderful but up against this it sounds slightly disjointed not as - you know -definitely not as natural, a little bit forced and a little bit sucked out at the same time." — The Bill Evans Trio - Sunday at the Village Vanguard - Ultimate AAA Showdown: UHQR vs MOFI One-Step, Dave Dener, YouTube  video.

"These are a vinyl revival dream demo pair to show off what records can do to hearts and minds. ... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45rpm speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory — there's only so much that can be pulled from these tapes — but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle.com. Read the entire review here.

Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard  from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.

The album features a selection of jazz standards and original compositions, showcasing the exceptional musicianship and improvisational prowess of the trio. The interplay between Evans, LaFaro, and Motian is extraordinary, with each musician seamlessly complementing and responding to one another.

The record showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style.

Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Sunday At The Village Vanguard  where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.

Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.

Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.

One of the standout tracks on this album is the rendition of the jazz standard "Gloria's Step." Evans' delicate touch and lyrical piano playing shine through, while LaFaro's inventive and melodic bass lines add depth and richness to the sound. The trio's chemistry is evident as they navigate through intricate musical passages and engage in spontaneous musical conversations.

Another notable track is "Alice in Wonderland," an original composition by Evans. It highlights his unique approach to harmony and melody, characterized by introspection, elegance, and a delicate touch. The trio's interpretation of this piece is enchanting and showcases their ability to create a magical atmosphere through their collective musical expression.

Sunday at the Village Vanguard is celebrated not only for its exceptional music but also for its exceptional sound quality. The recording captures the intimate ambiance of the Vanguard, allowing listeners to experience the energy and intimacy of a live jazz performance.

比爾·艾文斯(Bill Evans,本名為 William John Evans,1929年8月16日—1980年9月15日),為美國20世紀著名的爵士樂鋼琴家,他在印象派和聲的使用、傳統爵士樂曲目的創造性詮釋,以及他最著名的有如歌曲般節奏的獨立旋律線,影響了一整個世代的爵士鋼琴家,例如奇克柯瑞亞(Chick Corea)、賀比漢考克(Herbie Hancock)、約翰泰勒(John Taylor)、史提夫昆恩(Steve Kuhn)、唐傅利曼(Don Friedman)、瑪麗安邁帕特蘭(Marian McPartland), 丹尼柴特林(Denny Zeitlin)、波波史騰森(Bobo Stenson)、米榭派卓契亞尼(Michel Petrucciani)、奇斯傑瑞特(Keith Jarrett),以及全世界其他許多音樂家。他的音樂也持續不斷地啟發新銳鋼琴家比如Marcin Wasilewski、Fred Hersch、Bill Charlap、Lyle Mays、Eliane Elias 或許還有Brad Mehldau ,在他的生涯早期被某些
人認為是戰後最具影響力的爵士鋼琴家 。1981年被美國Downbeat音樂雜誌選為爵士名人堂成員 。

曲目

Side 1
1. Gloria's Step (6:05)
2. My Man's Gone Now (6:21)
Side 2
1. Solar (8:51)
Side 3
1. Alice In Wonderland (8:32)
Side 4
1. All Of You (8:20)
2. Jade Visions (3:46)

























































 

 

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