Reality speaks, and reality is in conversation with reality. Reality can evoke, copy, or represent itself. The truth of the evocation, copy, or representation is the similitude or approximation between the truth of the speaker or writer and what the listener or reader receives. Between speaker-writer and listener-reader is established a field of intensity that makes the communication more fluid or dense and opaque. The intensity is intensity manifest out of intention. But the gap between is equally manifest out of interpretation. It is evoked from the sacred, and it is represented from sacred scenes. The evocation, the copy, and the representation are never profane because the body that evokes, copies, and represents is sacred. Just as the nature of that which is evoked, copied, and represented is sacred. The filmmaker speaks and writes the sounds of this reality with the sounds (and the light) of that reality. The language written from reality is a system of atypical codes, a system which cannot exclude the historical-cultural relationship of man with nature or flesh (mankind) with stone (the city). The flesh and stone in dialog with the stone refuge, that is the sanctuary.