「聽我,看我,告訴我」電影原聲帶

「聽我,看我,告訴我」電影原聲帶

Marie Heurtin O.S.T. of the film by Jean-Pierre Ameris

  • 發行公司:Naive Auvidis
  • 產品編號:V5403
  • 發行日期:2017/12/26
  • 張數:1 張 - 1CD
  • 定價:559
  • 運送方式:
  • 臺灣與離島
  • 海外
  • 可配送點:台灣、蘭嶼、綠島、澎湖、金門、馬祖
  • 可取貨點:台灣、蘭嶼、綠島、澎湖、金門、馬祖
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For many years the music of Sonia Wieder-Atherton has been a part of my life.
More exactly, it has been so since the release of the original sound-track of Chantal Akerman's fine film ""Stories of America"" with its illuminating Jewish songs, profound and deeply human works.

I am unable to write a scene without music and with each film a specific musical work has guided me, inspired me and given set the tone for what I wish to do.

In writing ""Marie Heurtin"" it was immediately evident to me that it would be to interpretations of music by Sonia Wieder-Atherton. I knew that I did not want traditional film music which traditionally supports an emotion or the repeated rhythm of the scenes.

Early on I realized that in this story, with its absence of words and the creation of a new language, the language of hand signs, the cello would be an interior voice, a chant alternating between pain and ease, lament and consolation, sweetness and violence. It would be an intimate music, a music of the soul akin to an ap-peasing caress.

I knew exactly which pieces I would put with each scene and occa-sionally while filming I rehearsed with the music. Isabelle Carre while acting out the scene of Sister Marguerite passing out in the vegetable garden, drew great inspiration from Sonia's interpreta-tion of the lieder of Gustav Mahler. The choice of music adhered immediately to the scenes, even helping in their construction.

It remained to present the film to Sonia Wieder-Atherton! Suffice it to say that I was nervous: what would happen if she did not like it or if she did not find the choices of music judicious? Happily, she was moved by the choices. For her, the music in the film offers the viewer a moment of peace during which he or she can breath and withdraw into themselves, without her ever being illustrative. A magical marriage between the film and the music, as if they were made for one another…""
-- Jean-Pierre Ameris

曲目名稱:

1 Claudio Monteverdi* 1567-1643
Altri canti d'amor (excerpt)

2~8 Franck Krawczyk b. 1969
Jeux d'enfants, after Janacek's Moravian folksongs

9 Serge Rachmaninov** 1873-1943
Vespers opus 37: 'Nunc Dimittis'

10~15 Bohuslav Martinu** 1890-1959
Variations on a Slovak folksong

16 Gustav Mahler** 1860-1911
Ruckert-Lieder: 'Ich bin der Welt abhanden gekommen'

17 Sonia Wieder-Atherton / Jewish traditional*
La chanson de Marie
Song in remembrance of Schubert

Johann Sebastian Bach*** 1685-1750
18 Sicilienne BWV 1031 2'34
19 Pastorale in F major BWV 590 - Aria

Sonia Wieder-Atherton CELLO
with * Sarah Iancu & Matthieu Lejeune CELLOS
**Sinfonia Varsovia, Christophe Mangou
*** Franck Krawczyk PIANO

 

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