巴哈:維奧爾琴與大鍵琴奏鳴曲(中提琴版) / 安東尼．塔梅斯提 中提琴 鈴木優人 大鍵琴

巴哈:第1-3號維奧爾琴與大鍵琴奏鳴曲(中提琴版)
安東尼．塔梅斯提 中提琴
鈴木優人 大鍵琴

中提琴家安東尼．塔梅斯提和日本巴哈合奏團指揮家鈴木優人兩人合夥沉浸於以中提琴來崇敬的詮釋巴哈的三首維奧爾琴與大鍵琴奏鳴曲.  雖然兩人用的樂器都使用中音譜號(alto clef,), 演奏出的聲音聽起來卻是完全不一樣的. 因此這並不是改編曲, 而是讓音樂家們有完全的自由度和喜悅來重新發現這幾首很少被演奏的傑作.

Antoine Tamestit - Alto
Masato Suzuki - Clavecin

Antoine Tamestit and his artistic partner Masato Suzuki, Principal Conductor of the famous Bach Collegium Japan, have immersed themselves in Bach's three sonatas for viola da gamba and harpsichord in order to give a sublime interpretation of them on the viola – both instruments use the same alto clef, even if the projection of the sound is entirely different. So this is no transcription, but leaves the artists in total freedom to rediscover with delight these all too rarely played masterpieces!


<曲目>
 Johann Sebastian BACH (1685-1750) 
 3 Sonatas for viola da gamba and harpsichord BWV 1027-1029
Viola version  
1  Sonata BWV 1029
G minor / Sol mineur / g-Moll
I. Vivace  4'01
2 II. Adagio 4'47
3 III. Allegro 2'43
4  Aria Ergieße dich reichlich 
from the Church Cantata BWV 5 “Wo soll ich fliehen hin 
E-flat Major  4'44
 Sonata BWV 1028  D Major
5  Adagio  6'23
6 II. Allegro 4'38
7 III. Andante 2'22
8 IV. Allegro 2'30
9  Sonata BWV 1027
G Major / Sol majeur / G-Dur
I. Adagio  3'22
10 II. Allegro ma non tanto 1'32
11 III. Andante 4'37
12 IV. Allegro moderato 2'59