卡爾·慕辛格~多首世界首度國際版發行珍貴錄音 (與傅尼葉,費拉斯,肯普夫的協奏曲錄音)

這套Karl Münchinger的專輯收錄大師最拿手的曲目以及最經典的演出錄音集.包含多首海頓與莫札特交響曲錄音,以及與多位獨奏家合作的協奏曲錄音(傅尼葉,費拉斯,肯普夫..等等).大師指揮生涯的最璀璨演出!

A feast of Haydn and Mozart under the sure and stylish baton of Karl Münchinger, including several recordings making their first international appearance on CD.

This box of Münchinger’s legacy in Classical-era repertoire picks up where the Eloquence set of his Baroque recordings (484 0160) left off, with six symphonies of Haydn. He had founded the Stuttgart Chamber Orchestra in 1946, and Decca began making records with them three years later. The excellence and commercial success of these albums caused the label to invite him to work with orchestras other than his own, in Paris (the Conservatoire Orchestra) and, more prestigiously still, the Vienna Philharmonic.

The first fruits of this new relationship were issued in May 1955: an LP of No.88 and No.101, the ‘Clock’. Reviewers looked to the likes of Furtwangler and Toscanini for comparison respectively, and did not find Münchinger wanting for either grandeur or pathos in this music. The sequels took in Nos 96 and 104 (recorded in May 1957) and Nos. 83 and 100 (from April 1961): superbly open and spacious Sofiensaal recordings engineered in classic Decca sound by John Culshaw and Christopher Raeburn.

By then Münchinger was also recording Mozart for Decca, both with an enlarged cohort of his Stuttgart ensemble and with the Vienna Philharmonic. The repertoire included not only mature symphonies but also concertos (with the Viennese principals Werner Tripp and Alfred Prinz on flute and clarinet respectively), serenades (featuring the inimitably luscious tone of Willi Boskovsky’s violin) and rarities such as the ballet Les Petits Riens, recorded back in Stuttgart.

The set concludes with two discs of concertos: Haydn and Boccherini with the cellist Pierre Fournier, Mozart with both Christian Ferras – including the apocryphal ‘Adelaide’ concerto once championed by Menuhin – and Wilhelm Kempff, in a pairing of the Piano Concertos Nos. 9 and 15 that had critics reaching for superlatives in an era when these works had barely entered the record catalogues.

曲目:

CD 1      

FRANZ JOSEPH HAYDN (1732–1809)
Symphony No. 88 in G major, Hob.I:88
Symphony No. 101 in D major, Hob.I:101 ‘Clock’
Symphony No. 96 in D major, Hob.I:96 ‘Miracle’*
Wiener Philharmoniker
*FIRST INTERNATIONAL CD RELEASE ON DECCA

CD 2                                                                                                                                                    
Symphony No. 104 in D major, Hob.I:104 ‘London’°
Symphony No. 83 in G minor, Hob.I:83 ‘La Poule’*
Symphony No. 100 in G major, Hob.I:100 ‘Military’*
Wiener Philharmoniker
°FIRST INTERNATIONAL CD RELEASE ON DECCA
*FIRST CD RELEASE ON DECCA

CD 3                                                                                                                                                    
WOLFGANG AMADEUS MOZART (1756–1791)
Symphony No. 31 in D major, KV 297 ‘Paris’*
Symphony No. 32 in G major, KV 318 (Overture in G major)*
Symphony No. 35 in D major, KV 385 ‘Haffner’*
Stuttgart Klassische Philharmonie

Symphony No. 40 in G minor, KV 550°
Wiener Philharmoniker
*FIRST INTERNATIONAL CD RELEASE ON DECCA

CD 4
Symphony No. 33 in B flat major, KV 319*
Concerto for Flute, Harp and Orchestra in C major, KV 299
Werner Tripp, flute
Hubert Jellinek, harp

Clarinet Concerto in A major, KV 622
Alfred Prinz, clarinet
Wiener Philharmoniker
*FIRST CD RELEASE ON DECCA

CD 5
Serenade in D major, KV 250 ‘Haffner’
Willi Boskovsky, violin
Wiener Philharmoniker

Serenade in G major, KV 525 ‘Eine kleine Nachtmusik’*
Stuttgarter Kammerorchester
*FIRST CD RELEASE ON DECCA

CD 6
Divertimento No. 1 in D major, KV 136*
Divertimento No. 11 in D major, KV 251 ‘Nannerl-Septett’*
Les Petits Riens, K.app.10 (Ballet)*
Ein musikalischer Spass, KV 522*
Stuttgarter Kammerorchester
*FIRST INTERNATIONAL CD RELEASE ON DECCA

CD 7
FRANZ JOSEPH HAYDN (1732–1809)
Cello Concerto No. 2 in D major, Hob.VIIb:2
Pierre Fournier, cello
Stuttgarter Kammerorchester

WOLFGANG AMADEUS MOZART (1756–1791)
Violin Concerto No. 3 in G major, KV 216

attrib. WOLFGANG AMADEUS MOZART (1756–1791)
Violin Concerto No. 6 in E flat major, KV 268 / 356b / Anh.C. 14.04
Christian Ferras, violin
Stuttgarter Kammerorchester

CD 8
LUIGI BOCCHERINI (1743–1805)
Cello Concerto in B flat major, G. 482
Arranged by Friedrich Grützmacher (1832–1903)
Pierre Fournier, cello
Stuttgarter Kammerorchester

WOLFGANG AMADEUS MOZART (1756–1791)
Piano Concerto No. 9 in E flat major, KV 271 ‘Jeunehomme’
Piano Concerto No. 15 in B flat major, KV 450
Wilhelm Kempff, piano
Stuttgarter Kammerorchester
Members of L’Orchestre de la Suisse Romande