維也納浪漫主義晚期猶太作曲家的作品

Vienna at the turn of the 20th century was at the cutting edge of artistic and musical creativity. The Vienna Secessionist movement, led by Gustav Klimt had, in equal measure, shocked and fascinated the art world. Composers such as Schoenberg, Berg and Webern (the Second Viennese School) had burnished their romantic credentials, and launched a brave new 12 tone musical world that confounded and perplexed the public. This was a city with a sizeable and flourishing Jewish artistic community. Not just Schoenberg, but Mahler and Zemlinsky, and of course the wunderkind that was Eric Wolfgang Korngold. The transition from the late romantic world to modernism in Vienna created some extraordinary art and music, and the composers on this album were at the centre of this extraordinary firmament.
 
曲目:
Zemlinsky: Walzer-Gesänge nach toskanischen Volksliedern von Ferdinand Gregorovius: Op. 6 (Arr. Tal-Haim Samnon)
Josefine Winter: Im Buchenwald (Arr. Tal-Haim Samnon)
Korngold: Four Shakespeare Songs, Op. 31 (Arr. Tal-Haim Samnon)
Mahler: Symphony No. 10 in F-Sharp Minor (Arr. for Chamber Orchestra by Cliff Colnot): I. Adagio
Korngold: Songs of the Clown, Op. 29 (Arr. Tal-Haim Samnon)
Alfred Grünfeld: Kleine Serenade (Arr. Nicholas Hersh)
 
Jewish Chamber Orchestra Munich, Daniel Großmann, Chen Reiss