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This book is about artists and activists who have embraced mimicry as a subversive tactic. Bringing together the contributions of seventeen writers, it addresses the ways in which artists have responded to power and ideology by imitating its outward forms. These contributors address in particular the current age of fantasy and political deception, and they consider the work of artists who have reacted by using dissimulation and make-believe themselves. Chapters include discussions of mimicry in reference to a number developments and debates: the post-truth era, the neoliberal consensus, the politics of race and gender, online subcultures, and the rise of the new right.
Gediminas Gasparavicius is Associate Professor at The University of Akron
Maia Toteva is Associate Professor of Global Art and Visual Culture at Texas Tech University Tom Williams is Assistant Professor of Art History at Belmont University外文館商品版本:商品之書封,為出版社提供之樣本。實際出貨商品,以出版社所提供之現有版本為主。關於外文書裝訂、版本上的差異,請參考【外文書的小知識】。
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The Love Boat Forever: An Unauthorized Tour of the Lido Deck
A History of Black Musical Influence and Appropriation in the United States
A History of Black Musical Influence and Appropriation in the United States
Queen Victoria’s Colonial Troops, 1837-1901: Organization, Uniforms and Equipment