Mumbai Noir

＂Most of the 14 short stories in Akashic’s workmanlike Mumbai volume draw inspiration from the criminal networks and the sordid underbelly the city is infamous for . . . Armchair travelers will find plenty of amusement in touring the seedier parts of this island city in perfect safety.＂ --Publishers Weekly

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Annie Zaidi, R. Raj Rao, Abbas Tyrewala, Avtar Singh, Ahmed Bunglowala, Smita Harish Jain, Sonia Faleiro, Altaf Tyrewala, Namita Devidayal, Jerry Pinto, Kalpish Ratna, Riaz Mulla, Paromita Vohra, and Devashish Makhija.

From the introduction by Altaf Tyrewala:

＂The city’s chroniclers--its novelists, essayists, poets, journalists, and filmmakers--often seem overawed by the idea of Mumbai, rendering its quotidian realities in brushstrokes of grandiose narratives. What inoculates the stories in this collection from the hyperbole of ＂maximum city＂--that much-abused term coined by the astute Suketu Mehta to describe Mumbai--are the restraints set by the noir genre, which stipulates, among other things, an unflinching gaze at the underbelly, without recourse to sentimentality or forced denouements. When viewed from a plane (or hot-air balloon), any metropolis might strike one as jaw-dropping. For a majority of Mumbai’s residents, however, the city’s overcrowded public transportation and decaying infrastructure fail to provide even the minimum of relief . . .

Social commentators accuse Mumbai of a savage sort of indifference. Absolutely nothing seems to affect the city. Or maybe that’s a wrong way of looking at things. Maybe Mumbai isn’t just one city, but an organic conglomerate of innumerable subcities, each thrumming to its own vibe. A tragedy in one part of Mumbai barely registers elsewhere. People fall off moving trains, bombs erupt in busy bazaars, lives are made and broken in the city’s daily flux, and things go on as usual.＂