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文/吳俞萱2025年02月05日
一條水平線和一條垂直線如何相遇,能帶來戲劇性的聲響?顏色、形狀、筆觸、構圖如何建造無形的內在風景?紙上誕生的夢,在我們的凝視中狂奔。 _________________________ 「探索……那時候,我們把所有的時間拿來探索,用眼睛、用手、用身體、用語言去探索彼此。在一個小房間 moreFrom award-winning novelist Paul Auster comes the graphic adaptation of his deeply beloved series, The New York Trilogy, a postmodern take on detective and noir fiction.
In 1994, Paul Auster’s City of Glass was adapted into a graphic novel and became an immediate cult classic, published in over 30 editions worldwide, excerpted in The Norton Anthology of Postmodern Fiction. But City of Glass was only the first novel in a series of books, Auster’s acclaimed New York Trilogy, and graphic novel readers have been waiting for years for the other two tales to be translated into comics. Now the wait is over. The New York Trilogy is post-modern literature disguised as Noir fiction where language is the prime suspect. An interpretation of detective and mystery fiction, each book explores various philosophical themes. In City of Glass, an author of detective fiction investigates a murder and descends into madness. Ghosts features a private eye named Blue, trailing a man named Black, for a client called White. This too ends with the protagonist’s downfall. And in The Locked Room, another author is experiencing writer’s block, and hopes to brake it by solving the disappearance of his childhood friend. The second two parts of this trilogy will be appearing in this volume for the very first time as a graphic novel. Paul Karasik, the mastermind behind the three adaptations, art directed all three books. City of Glass is illustrated by the award-winning cartoonist David Mazzucchielli, the second volume, Ghosts, is illustrated by New Yorker cover artist, Lorenzo Mattotti, and The Locked Room is adapted and drawn by Karasik himself. These adaptations take Auster’s sophisticated wordplay and translate it into comicsplay: both highbrow and lowbrow and immensely fun reading.Paul Auster is a bestselling author and film director. He has been awarded the Prince of Asturias Prize for Literature, the Prix Médicis Étranger, the Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and a Commandeur de l’Ordre des Arts et des Lettres. He was on the PEN American Center Board of Trustees from 2004 to 2009, and Vice President during 2005 to 2007.
Two-time Eisner Award winner, Paul Karasik, began his career as the Associate Editor of Art Spiegelman and Françoise Mouly’s RAW magazine. His work has appeared in The New York Times, The Washington Post, and The New Yorker.外文館商品版本:商品之書封,為出版社提供之樣本。實際出貨商品,以出版社所提供之現有版本為主。關於外文書裝訂、版本上的差異,請參考【外文書的小知識】。
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Making Music Together: Analytical Perspectives on Musical Interaction
Epistemic Impressions: Making and Mediating Classical Art and Text
Reframing Cities for Resilience: Embracing Complex & Uncertain Futures
Reframing Cities for Resilience: Embracing Complex & Uncertain Futures
Waterloo Bridge and London River: Investigations and Reflections