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The Austrian composer Hanns Eisler was Bertolt Brecht's closest friend and most politically committed collaborator. In these conversations with Hans Bunge which took place over a period of four years, from 1958 until his death in 1962, Eisler offers a compelling and absorbing account of his and Brecht's period of exile in Europe and the USA between 1933 and 1947, and of the quality of artistic, social and intellectual life in post-war East Germany.
Brecht, Music and Culture includes a discussion of a number of Brecht's principal plays, including Life of Galileo and The Caucasian Chalk Circle, considers the place of music in Brecht's work and discusses the time that Brecht was brought before The House of Un-American Activities Committee. It includes lively accounts of Brecht's meetings with key cultural figures, including Arnold Sch nberg, Charlie Chaplin and Thomas Mann, and offers throughout a sustained response to the question of the purpose of art in a time of political turmoil.
Throughout the conversations, Eisler provides illuminating and original insights into Brecht's work and ideas and gives a highly entertaining first-hand account of his friend's personality and attitudes. First published in Germany in 1975, and now published in English for the first time, the conversations provide a fascinating account of the lives and work of two of the twentieth century's greatest artists.
Hanns Eisler was an Austrian composer. A Schoenberg pupil and committed Marxist, he was one of the great distinctive musical personalities of the twentieth century.
Hans Bunge was assistant director and dramaturg at the Berliner Ensemble in Germany in the 1950s and later became first director of the Brecht Archive. He published his conversations with Eisler in Germany under the title Gespräche mit Hans Bunge - Fragen Sie mehr über Brecht.
Sabine Berendse, the daughter of the late Hans Bunge, is a Librarian and Information Specialist in Cardiff, Wales, and a freelance translator.
Paul Clements was Principal of Mountview Academy of Theatre Arts in London, UK, for twelve years until his retirement in July 2008. He has taught, acted and directed in the UK, Canada and Scandinavia.
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Making Music Together: Analytical Perspectives on Musical Interaction
Epistemic Impressions: Making and Mediating Classical Art and Text
Reframing Cities for Resilience: Embracing Complex & Uncertain Futures
Reframing Cities for Resilience: Embracing Complex & Uncertain Futures
Waterloo Bridge and London River: Investigations and Reflections