分期價:(除不盡餘數於第一期收取) 分期說明
| 3期0利率 | 每期1266 | 6期0利率 | 每期633 |
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文/廖芸婕,|,臉譜出版2018年03月22日
漫畫家艾莉森.貝克德爾 讀《歡樂之家》與《我和母親之間》兩本厚重的漫畫文學,是在整座島嶼迎接傳統新年、家族團聚的氣氛之中。據聞去年川普當選美國總統後,作者艾莉森感覺到美國社會對LGBTQ的態度漸趨不友善,重啟了她在2008年停刊的《小心拉子!》系列短篇漫畫。 我對這兩本書一開始的想像, moreIn the late '60s, underground comix changed the way comics readers saw the medium -- but there was an important pronoun missing from the revolution. In 1972, ten women cartoonists got together in San Francisco to rectify the situation and produce the first and longest-lasting all-woman comics anthology, Wimmen's Comix. Within two years the Wimmen's Comix Collective had introduced cartoonists like Roberta Gregory and Melinda Gebbie to the comics-reading public, and would go on to publish some of the most talented women cartoonists in America -- Carol Tyler, Mary Fleener, Dori Seda, Phoebe Gloeckner, and many others. In its twenty year run, the women of Wimmen's tackled subjects the guys wouldn't touch with a ten-foot pole: abortion, menstruation, masturbation, castration, lesbians, witches, murderesses, and feminists. Most issues of Wimmen's Comix have been long out of print, so it's about time these pioneering cartoonists' work received their due.
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