The Sensory Child of Contemporary Cinema: Sight, Sound, Touch

The Sensory Child: Sight, Sound, Touch examines a poetic film form evident in contemporary cinema that seems intent on capturing the textures, the materials, and the sensations of childhood. These films foreground the child’s point of view, construct a child’s gaze, and mobilise an aesthetic that evokes a sensory recollection of childhood.

Nonie May is a Lecturer at The University of Melbourne. Her research mobilises feminist approaches to psychoanalytic film theory. Recent publications include the Barbie Dossier, Feminist Media Studies, (2024), the chapter ’Written on the Body’, The UnDead Child (2024), and the prize-winning essay An Cailín Ciúin’, Senses of Cinema (2022).